His new track Diablo is on another level with some insanely dope production from Larry Fisherman himself.
The piano keys and snare drums infused throughout the beat got me over here loving life while Mac looks inward and fires off some of the illest lyrics Ive heard from him to date.
After only two days the song has amassed almost 200,000 plays.
Now press play and find out what all the hype is about with the latest from the Rap Diablo.
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Rap Diablo Miller Mac Wearing In
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The Divine Feminine cuts get an polite but largely muted response from the pre-Chance crowd.
Rap Diablo Miller Trial Beat Spilling
With Lex Lugers flatly industrial beat spilling out into the Meadowss parking lot, he enters to Loud with a bemused smile on his face, stoked to be here, a little surprised.
With the same spaced out drawl that he inhabits on record, he ambles through his chorus: I like my music real loud, real loud Can you turn that shit up for me right now, right now.
Advertisement This is an awkward time of day for Miller; for anyone, really.
Its 4:45 PM, an hour before Chance the Rapper is due to take the main stage.
Millers set is the obvious choice right now; theres little competition.
The Divine Feminine, his new album, is a radical departure from his earlier tapes.
Its a sweet, soulful, extroverted collection of tracks, heavy on strings and brass, a big embrace of the world.
Miller spends 10 tracks wrapping his head around love, not just romantic and eroticthough theres plenty of both of those to go aroundbut universal.
But today hes opening with Loud, so heres his first line: I got codeine in my cup, you can bet your ass Im sipping Groupies fall in love, Im like bitch you must be tripping.
Yeah, people lie, numbers wont Keep me high, drugs is close Roll one up, pour a cup Watch the world go up in smoke.
A newly-clean artist singing through past addictions, inhabiting a past self onstage, can be fascinating and important.
Peel it back and theres a layer of sadness to Miller asking for somebody to Keep me high now that hes sober.
Hes straightjacketed by the festival setup, the time of day, and the crowd of drunk-as-hell teenagers who throw their hands up when theyre told to.
Theyre told to.) Advertisement From there its the more reflective 100 Grandkids and the us-against-the-world trap of Insomniak, both hits, both going down a storm.
Miller enjoys it all, wandering around the stage, bouncing along, charming his way through it.
The smoothed-out arrogance of Diablo eases him in nicely enough, too.
But its not until his fifth track that he dips into The Feminine Divine: Im gonna slow it down a little bit and get into that, he says.
And thats when Mac Miller turns into something else entirely.
He breaks into album opener Congratulations, slots the mic into its stand, and croons over the jazz piano.
Eyes shut, he angles his head around the mic like hes making out with it.
Girl Im so in love with you, he sings, giving way to the strings.
He grinds into Stays high trumpets, a cocky grin on his face.
The brilliant Anderson.Paak collaboration Dang turns this soulless concrete lot into a dimly-lit nightclub for four minutes, Millers matter-of-fact confidence slinking out past his cheeky smile.
Its a suggestion that Miller was, deep down, always working towards an album as well-constructed and concise as The Divine Feminine, all that hedonistic soul waiting to come forward.
But then, aside from the catatonic We, thats pretty much it for Mac Miller, unlikely messenger of millennial sexuality.
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